Reconstruction of Image Studies

Bibliography

Seminar 2009

[Meta-Images]

  • André Chastel, « Le tableau dans le tableau », in id., Fables, Formes, Figures, Paris, Flammarion, 1978, pp. 75-98.
  • Pierre Georgel et Anne-Marie Lecoq, La peinture dans la peinture, Paris, Adam Biro, 1987.
  • Victor I. Stoichita, L’Instauration du tableau. Métapeinture à l’aube des Temps moderne, Paris, 1993; rééd., Genève, 1999. (The Self-Aware Image: An Insight into Early Modern Meta-Painting, Cambridge-New York-Melbourne, 1997)


[Genetic Analysis]

  • Dario Gamboni, Potential images: ambiguity and indeterminacy in modern art, London, Reaktion, 2002.
  • Victor I. Stoichita, A Short History of Shadows, London, Reaktion, 1997. (Brève histoire de l'ombre, Genève, 2000)
  • Georges Didi-Huberman, La ressemblance par contact. Archéologie, anachronisme et modernité, Paris, Les Editions de Minuit, 2008.


[Image and Writing]

  • Meyer Schapiro, Words, Script, and Pictures: Semiotics of Visual Language, New York, George Braziller, 1996.



Meyer Schapiro (1904-1996) :

  • Vincent Van Gogh, New York: Abrams, 1950
  • Paul Cézanne, New York: Abrams, 1952
  • The Parma Ildefonsus: A Romanesque Illuminated Manuscript from Cluny and Related Works, New York: The College Art Association of America in conjunction with The Art Bulletin, 1964
  • Romanesque Art, Selected Papers vol. I, New York, George Braziller, 1977.
  • Modern Art - 19th and 20th Centuries, Selected Papers vol. II, New York: George Braziller, 1978.
  • Late antique, Early Christian and Medieval Art, Selected Papers III, New York: George Braziller, 1979.
  • Theory and Philosophy of Art: Style, Artist, and Society, Selected Papers vol. IV, New York: George Braziller, 1994. [Trad. fr.: Style, artiste et société, Paris: Gallimard, 1982].
  • The Sculpture of Moissac, New York: George Braziller, 1985
  • Mondrian: On the Humanity of Abstract Painting, New York: George Braziller, 1995.
  • Words, Script, and Pictures: Semiotics of Visual Language, New York: George Braziller, 1996.
  • Impressionism: Reflections and Perceptions, New York: George Braziller, 1997.
  • World View in Painting—Art and Society, Selected Papers vol. V, New York: George Braziller, 1999.
  • The Unity of Picasso’s Art, New York: George Braziller, 2000.
  • The Language of Forms: Lectures on Insular Manuscript Art, foreword by Charles E. Pierce, Jr., introduction by Jane E. Rosenthal, New York: Pierpont Morgan Library, 2005.
  • Romanesque Architectural Sculpture, edited with an introduction by Linda Seidel, Chicago: University of Chicago Press, 2006.
  • Meyer Schapiro Abroad: Letters to Lillian and Travel Notebooks, edited by Daniel Esterman, foreword by Thomas Crow and essay by Hubert Damisch, Los Angeles: Getty Research Institute, 2009.


UTCP Lecture | Yve-Alain Bois | Pseudomorphism: What to Make of Look-alikes? | Bibliography

  • Ariès, Philippe. L’homme devant la mort (Paris: Seuil, 1977).
  • Barthes, Roland. “La mode et les sciences humaines” (1966), reprinted in Œuvres complètes 2: 1966–1973, ed. Eric Marty (Paris: Seuil, 1994), 121–125.
  • Benjamin, Walter. “Über das mimetische Vermögen” (1933), in Gesammelte Schriften II.1: Werkausgabe 4, ed. Rolf Tiedemann and Hermann Schweppenhäuser (Frankfurt a.M.: Suhrkamp, 1980).
  • Bolloch, Joëlle. Le dernier portrait, exh. cat. (Paris: Réunion des Musées Nationaux, 2002).
  • Caillois, Roger. “Reconnaissance à Mendeleïev,” in Cases d’un échiquier (Paris: Gallimard, 1970).
  • Clifford, James. “Histories of the Tribal and the Modern,” in The Predicament of Culture: Twentieth Century Ethnography, Literature and Art (Cambridge, MA: Harvard University Press, 1988), 189–214.
  • Lévi-Strauss, Claude. “Le dédoublement de la représentation dans les arts de l’Asie et de l’Amérique” (1944), reprinted in Anthropologie structurale (Paris: Plon, 1958).
  • LeWitt, Sol. “Comments on an Advertisement Published in Flash Art, April 1973,” originally published in Flash Art (June 1973), reprinted in the exhibition catalogue Sol LeWitt (New York: Museum of Modern Art, 1978), 174.
  • Ogden, Blair. “Benjamin, Wittgenstein, and Philosophical Anthropology: A Reevaluation of the Mimetic Faculty,” Grey Room, no. 39 (Spring 2010): 56-73.
  • Panofsky, Erwin. Renaissance and Renascences in Western Art (1960; New York: Harper & Row, 1969).
  • ——. Tomb Sculpture: Four Lectures on Its Changing Aspects from Ancient Egypt to Bernini (New York: Harry N. Abrams, 1964).
  • Pigler, A. “Portraying the Dead,” in Actae Historiae Artium Academiaie Scientiarum Hungaricae 4 (Budapest, 1956), 1–75.
  • Rubin, William, ed. “Primitivism” in 20th Century Art: Affinity of the Tribal and the Modern, 2 vols. (New York: The Museum of Modern Art, 1984).
  • Saussure, Ferdinand de. Cours de linguistique générale, ed. Tullio de Mauro (Paris: Payot, 1972).
  • ——. Premier cours de linguistique générale (1907) d’après les cahiers d’Albert Riedlinger, ed. and trans. Eisuke Komatsu and George Wolf (Oxford: Pergamon, 1996).

//Page Top