Thesis
M.A. Thesis: Kâru Erunsuto Osutohausu to Forukuwangu Bizyutukan: Hiseiô heno manazasi to tenzi keisiki no hensen (Karl Ernst Osthaus and the Folkwang Museum: Experience of the Non-Western World and the Transition of the Display Style)(Univ. of Tokyo, 2009)[text in Japanese with English summary]

B.A. Thesis: Anri Matisu ni okeru tyôkoku to kaiga: Rerîhu «Senaka» wo tyûshinni (The Interaction between Sculptures and Paintings in the Art of Henri Matisse – The Relief Series «The Back»)(Tokyo Univ. of Foreign Studies, 2005)[text in Japanese]

Presentations
2011 Yasunaga, Marie, “Framing Artworks: Reading Installations of Religious Paintings by Emil Nolde, 1912-1937,” Meta-Image and Parergon, journée d’études Fribourg / Tokyo, Université de Fribourg, October 21.

2011 Yasunaga, Marie, “Universalism in the Museum Space: the Non Western World and the Transformation of Display Styles by Karl Ernst Osthaus and Karl With”, Talk given at the Getty Research Institute Lunch Time Lecture, the Getty Research Institute Lecture Hall, April 25.

2010 Yasunaga, Marie, “Forukuwangu Bizyutukan niokeru tenji keishiki no hensen: Hiseiô heno manazasi to heititeki tenzi no zitugen (The Transformation of Display Styles in the Folkwang Museum: Experience of the Non-Western World and the Realization of Juxtapositional Display),” the 63rd Annual Conference of the Japan Art History Society, Gakushuin University, May 23. (Presentation in Japanese)

2010 Yasunaga, Marie, “The Concept of History and ‘Psychological Affinity’ in Museum Space: Reading the Display of the Folkwang Museum in Hagen,” the 4th BESETO Conference of Philosophy, Seoul National University, January 8.

2007 Yasunaga, Marie, “Reading Two Poems on Sculpture by Mina Loy,” the 4th Ohsawa Colloquium, University of Tokyo, May 26.

Publications
Papers:
2010 Yasunaga, Marie, “The Concept of History and ‘Psychological Affinity’ in Museum Space: Reading the Display of the Folkwang Museum in Hagen,” The Future of Philosophy in East Asia: The 4th BESETO Conference of Philosophy (Proceedings), Seoul National University, pp. 663-675.

2009 Yasunaga, Marie, "Sound, Light and Vibration: Reading Brancusi's Golden Bird by Mina Loy", Windows on Comparative Literature, Katuya Sugawara et al., eds., no.4-5, Comparative Literature and Culture Program, The University of Tokyo, pp. 1-10.

Translations:
2011 Iris Schafer, et al, Hikari wo Egaku: Inshô-ha ten, Aomori Museum of Art, transl. by Marie Yasunaga et al, ed. by Atsushi Miura, Tokyo, the Asahi Shimbun. [=Iris Schafer, et al, Painting Light: The hidden techniques of the Impressionists, Milano, Skira, 2008.] (Introduction, Chapter 1, and Chapter 2)

2011 Andreas Blühm, “Seiyô Bizyutu no Hôko: Warurafu Rihyarutu Bizyutukan no Rekisi” (Treasury of Western Fine Art – The history of Wallraf-Richartz-museum), transl. by Marie Yasunaga, ed. by Atsushi Miura, Hikari wo Egaku: Inshoo-ha ten, exh. cat., the Asahi Shimbun, pp. 6-13.

2010 Bisi Silva, “Tenzi, aruiha Hyôsyô no Porityikusu: Afurika no uti to soto” (The Politics of Re / Presenting: Within and Without), A Fateful Journey: Africa in the works of El Anatsui, exh. cat., transl. by Marie Yasunaga, Yukiya Kawaguchi et al., eds., The Yomiuri Shimbun / The Japan Association of Art Museums, pp. 198-205.

2009 Yves Badetz, “Sakuhin kaisetu”, Orusê Bizyutukan ten : Pari no Aaru-nûbô («Notices d’œuvres », Art Nouveau et Industrie du luxe à Paris), cat. par Philippe Thiébaut et al, avec Atsushi Miura comme le conseiller scientifique et superviseur des traductions, traduit par Marie Yasunaga, Setagaya Art Museum, Tokyo, cat. nos. 1, 2, 14, 22, 28, 55-56, 54, 69, 70, 94, 97-98, 101-102. (French into Japanese)

Others:
2007 Yasunaga, Marie, “Edowarudo Munku ryakunenpu”(Biography of Edvard Munch), “Syuyô sankô bunken”(Selected Bibliography), Edvard Munch: the decorative projects, exh. cat., the National Museum of Western Art, Tokyo, pp. 194-200.

Other Activities
2011 Organizer and Chair of the UTCP Workshop, Katastorofi no Tetugaku 3: Denpa suru Kaku no Imêzi (Philosophy of Catastrophe 3: Diffusion of Nuclear Images), Yoko Tsutiyama as presenter, Maika Nakao as discussant, hosted by the University of Tokyo Center for Philosophy, University of Tokyo, Komaba, May 23.

2010 Organizer and Chair of the UTCP Lecture, Taseiteki Hyôsyô no Rinkai: ‘Azia to Yôroppa no Syôzô’ ten no kiseki to tenbô (Limits of Polyphonic Representations: Trajectory of / Perspective from the Exhibition Self and Other: Portraits from Asia and Europe), Prof. Kenji Yoshida as the guest speaker, hosted by the University of Tokyo Center for Philosophy, University of Tokyo, Komaba, February 24.

(last updated: 2012/01/20)