1 Lin Shaoyang, Rhetoric and Thought: Zhang Taiyan and His Theory of Chinese Characters, Tokyo: Hakutakusha Press, Nov.2009.381 pages.Tokyo: Hakutakusha Press, Nov.2009.381 pages.（English title also as: Rhetoric as Thoughts: Zhang Taiyan and Critical Theory in the Sphere of Chinese Characters from a Linguistic Perspective)

2 Lin Shaoyang, The Conflict of Wen in Japanese Modernity, Beijing: Central Compilation & Translation Press, 2004. 375 pages. .

3 Lin Shaoyang, Japanese Intellectual History and the Sphere of Chinese Characters From 1700 to 1990: A Cross-Cultural Perspective, Beijing: Central Compilation and Translation Press, 2012.394 pages .(Revised and developed version of 2. 160,000 Chinese words new contents)

4 Wang Zhongchen and Lin Shaoyang eds., Putting Modernism in East Asian Context, Beijing: Tsing Hua University Press, 2013.

A. Journal Papers in Japanese

29.Lin Shaoyang, “Zhang Taiyan and His Relationship with Chinese and Japanese Anarchism” Society and Literature, Vol. 41 (March 2015) 44-59 (Journal published by The Japanese Association of Society and Literature)

　28.Lin Shaoyang, “Zhang Taiyan and the Late Qing Discourse on ‘South China’ The Journal of South China Studies, Vol.1 (April, 2014) 47-72 (Journal published by Tokyo: The Japan Association of South China Studies).

27.Lin Shaoyang, "Kojin Kaeatani's Transposition," T.Nakajima and K. Baba eds., Contemporary Philosophy in the Age of Globalization , 1 (January 2014) 41-64 (Conference proceedings published by the University of Tokyo, Institute of Advanced Studies on Asia)

26.Lin Shaoyang, “ Re-discovering Sōseki’s On Literature as a Postmodern
Event of Japanese Intellectual History” Bungaku (『文學』) Vol.13.3 (May& June, 2012)96--110 (Journal published by Tokyo: Iwanami Shoten Press)

25.Lin Shaoyang, “Nishiwaki Junzaburō’s Poetics: from the Perspective of Post-Structuralism in Japanese Context.” The Handbook on Modern Poetry（『現代詩手帖』） 54.2 (February 2011) 72-79. (Journal published by Shichōsha Press思潮社, Tokyo).

24.Lin Shaoyang, “The Relationship between the International Settlement in Shanghai and Modern Chinese Literary History”, Subaru (『すばる』), Vol 32. No.10 (September, 2010) 100-112.(Monthly Journal of Literary Writing and Research published by Shūeisha Publishing集英社, Tokyo, one of the top two literary review and research magazine in Japan) (Invited refereed paper)

23.Lin Shaoyang, “Early Bei Dao's Poem and Historicity: A Perspective of Intellectual and Literary History,” China: Society and Culture (『中国：社会と文化』), Vol.25 (July, 2010)239-265 (Annual Journal of National Society of Chinese Society and Culture, Japan)

22.Lin Shaoyang, “The Literature of ‘the New Sensational School’: From1920s-30s’ Tokyo and Shanghai to Postwar Hong Kong” East Asia 505 (July 2009)100-107. (Journal published by Kazankai, Tokyo, Japan).

21.Lin Shaoyang, “Doubting the ‘History’ and ‘Modernity’ in a Metaphorical Way: An Inclination of the Chinese Novels in Recent years” Gunzo （『群像』） Vol. 64 No.5(May 2009) 379–387.(Magazine of Literary and Philosophical review published by Kodansha Press講談社, Tokyo, Japan)

20.Lin Shaoyang, “Huang Kan黃侃’s Interpretation on the Concept of wen in his Notes on The Literary Mind and the Carving of Dragons: in Connection with Zhang Taiyan章太炎 and Liu Shipei劉師培.” Nine Leaves Chinese Poetry-Reading Salon 4 (March 2009)54-81. (Journal published by Komazawa University, Tokyo).

19.Lin Shaoyang, “Theory of Literary Modernism in an East Asian Context: Yokomitsu Riichi橫光利一in the Genealogy of Rhetorical Criticism in Modern Japan.” Studies of Comparative Literature（『比較文学研究』） 92 (Nov 2008) 47–64. (Journal published by the Society of Comparative Literature, the University of Tokyo).

18.Lin Shaoyang, “Nishiwaki Junzaboro西脇順三郎’s Criticism of Hegel and Romanticism in the 1920s–1930s: In Comparison with Paul de Man.” Studies of Intellectual History 9 (Oct 2008) 74–101. (Journal published by the University of Tokyo).

17.Lin Shaoyang, “Nishiwaki Junzaboro's Reconstructed Concept of Irony: A View from Chinese Linguistic Thoughts.”Mita Literature 87.92 (Feb 2008) 138–149. (Journal published by Keio University Press, Tokyo).

16.Lin Shaoyang, “The Concept of Contradiction (maodun or mujun 矛盾) in Modern Chinese and Japanese Context.” Language, Information, Text 14 (2007) 69–107. (Annual Collection of Faculty Papers From the Faculty of Language and Information Science, Graduate School of Arts and Science, the University of Tokyo).

15.Lin Shaoyang, “From the Identity of ‘the People’ to that of the ‘the Nation’: Thinking Nationalism in Modern Chinese Context.” The World (Sekai)759 (Dec 2006) 294–304. (Journal published by the Iwanami Publishing House, Tokyo).

14.Lin Shaoyang, “Rhetoric—Equal to Xiuci or Shūji 修辭?: Relationship between Wen
or Bun and Xiuci or Shūji in Premodern Chinese and Japanese Context.” Language, Information, Text 13 (2006) 81–126(Annual Collection of Faculty Papers From the Faculty of Language and Information Science, Graduate School of Arts and Science, the University of Tokyo).

13. Lin Shaoyang, “The Unfinished Project of the Chinese Vernacular Movement: A History of Self-examination on Writing in Modern Chinese Poems.” Nine Leaves Chinese Poetry-Reading Salon 2 (May 2006) 68–101. (Journal published by Komazawa University, Tokyo).

12.　“Natsume Sōseki夏目漱石’s Concept of Literature: A Combination of History and Literature in East Asian Theoretical Context.” Studies of Intellectual History 6 (May 2006) 76–108. (Journal published by the University of Tokyo).

　11.　Lin Shaoyang, “Is the Concept of ‘Xing’ 興 Equal to that of ‘Symbol’ 象徵? : Relational Structure of Yan-Xiang-Yi 言—象—意and A Criticism of Dualistic Concept of Symbol.” Language, Information, Text 12 (2005) 115–142(Annual Collection of Faculty Papers From the Faculty of Language and Information Science, Graduate School of Arts and Science, University of Tokyo).

10. Lin Shaoyang, “Rhetorical Criticism after 1968 in the Context of the Modern Japanese Intellectual History: Focusing on Nakamura Yujiro 中村雄二郎’s Philosophical Works and Maeda Ai 前田愛’s Literary Criticism.” Studies of Intellectual History 5 (Oct 2005) 166–180. (Journal published by the University of Tokyo).

9. Lin Shaoyang,“The Literary Theory or Theory of Bun or Wen in East Asian Context: Natsume Sōseki’s On Literary (1907).” Modern Thoughts 33.7 (June 2005) 108–111. (Journal published by the Seitosha Press青土社 in Tokyo. This issue is a special edition of source books on Japanese thoughts.)

8.Lin Shaoyang, “Poems in Declamatory Style and writing Language in Modern
　　 Chinese Poems: A Perspective of Intellectual History.” Nine Leaves Chinese Poetry- Reading Salon 1 (April 2004) 75–91. (Journal published by Komazawa University, Tokyo).

　 7.Lin Shaoyang, “Social and Theoretical Contexts of Postmodernism in Japan.” Studies of Intellectual History 4 (March 2004) 198–226. (Journal published by the University of Tokyo).

6.Lin Shaoyang, “Nishiwaki Junzaburo’s Mechanical Poetics: Kantian Concepts
in his On Surrealism.” Gengotai 4 (June 2003) 109–130. (Journal published 　by the University of Tokyo).

5.Lin Shaoyang, “The Linguistic Turn of Ogyu Sorai 荻生徂徠(1666–1728):
　 Relationship between Name (or mei 名 ), Thing(or butsu物) and the Ancient Writing School (or Kobunjigaku古文辭學).” Studies of Intellectual History 3 (March 2003) 11–38. (Journal published by the University of Tokyo).

　 4.Lin Shaoyang, “Seeking for Materiality of Linguistic Form: Reviewing Hong Kong Novelist Liu Yichang 劉以鬯’s Heavy Drinker through a Comparison with the Japanese New Sensational School.” Gengotai 3 (May 2002) 101–117. (Journal published by the University of Tokyo).

3.Lin Shaoyang, “On the Style of Yokomitsu Riichi’s Novel Shanghai:
The Function of his Usage of Chinese Character or kanji and the Context of
the Movement of the Unification of Spoken and Written Japanese Languages.” Studies of Language and Science 7 (May 2002) 295–315. (Journal published by the University of Tokyo).

2.Lin Shaoyang, “The Interpretation of Zhu Xi’s Philosophy in Postmodern Japan: From Maruyama Masao 丸山真男 to Karatani Kojin柄谷行人.” Studies of Intellectual History 2 (2001) 186–203. (Journal published by the University of Tokyo).

1. Lin Shaoyang, “Between Politics and Aesthetics: On Kojin Karatani’s Recognition of ‘China’.” Gengotai 2 (June 2001) 197–110. (Journal published by the University of Tokyo).

B. Journal Papers in English

4.Lin Shaoyang, Making National History with Literary History: Hegel’s Influence via Taine on Meiji Japan and the Late Qing and Early Republican China，Frontier of Literary Studies in China, Number 2, 2015, forthcoming (Journal published by Leiden: Brill).

3.Lin Shaoyang, Questioning Modern Chinese Views of Temporality in Context of Comparative Philosophy，China Review International ，Volume 19, Number 4, 2012, pp. 543-563
(Journal published in May, 2015 by Honolulu: University of Hawai'i Press).

2.Lin Shaoyang, “Japanese Postmodern Philosophy’s Turn to Historicity,”
Journal of Japanese Philosophy , Initial Issue (April 2013) 111-136
(Journal published by State University of New York Press)

1.Lin Shaoyang,“Romanticism History and Aestheticized Politics: Yasuda Yojurō and the Discourse of ‘Overcoming the Modern’ in Wartime Japan.” Studies of Intellectual History (『思想史研究』Shisoshi Kenkyu) 13 (March 2011) 173-214.
(Journal published by the University of Tokyo). 　

C . Journal Papers in Chinese

9. Lin Shaoyang, Zhang Taiyan’s Pan-Asianism: The Context of Japanese Early Leftist Movement and Asianism, the Anglo-Japanese Alliance and the Overseas Indian Independent Movement, Remapping (『區域』) Vol. 3 ( November, 2014) 201-227.
(Journal jointly published by Beijing: Social Sciences Academic Press (China) and the Tsinghua Institute for Advanced Studies in Humanities and Social Sciences at Tsinghua University)
8.Lin Shaoyang, Li Zehou and Historical Narratives in 1980s’ China: A Perspective to View the Literary Trend in Recent Years,’ Wenyi Zhengming (『文藝爭鳴』) Vol (Feb Issue，2012) 65-76.

7.Lin Shaoyang, “The Spontaneous agreement of the interpretations of Xunzi in Japanese and Chinese Confucianism in 18th century: focused on Ogyū Sorai荻生徂徠’s Reading Xunzi『讀荀子』,” Dongyue Luncong (『東岳論叢』) Vol (Dec Issue，2011) 30-37.

6.Lin Shaoyang, “The Concept of shi（勢）or Momentum and Propensity of Things: A
Key concept to Review the Relationship between Temporality and Modernity in China.” Open Times (『開放時代』) Vol 128 (August, 2010) 21-43.

5.Lin Shaoyang, “From Zhang Taiyan章太炎’s Discussion on Yin (sound, phonemic and musical attributes in writing Chinese) to the Movement of Folk Rhyme Collecting in the 1920s–30s: A Perspective to Rethink the Ideology of Chinese Vernacular Movement.” Dongyarenwen『東亞人文』1 (Oct 2008) 191–223. (Journal published by the Sanlian Press, Beijing, China).

4..Lin Shaoyang, “Textuality, Dialogue, Politics and Metaphor: On Early Beidao’s Poems from a Perspective of Contemporary Critical Theory.” Sixiang wenzong『思想文綜』9 (2001) 170–188. (In Chinese; journal published by China Social Sciences Press Beijing, China).

3.Lin Shaoyang, “The Unfinished Project of the Chinese Vernacular Movement: A History of Self-examination on Writing in Modern Chinese Poems.” Modern Chinese Poetry Review 4 (Oct 2006) 3–33. (Journal published by Peking University Press; Chinese version of my article of the same title).

2..Lin Shaoyang, “What is ‘literature’? Natsume Sōseki’s writing at the Turn of the Century.” East Asian Culture” & Modern Literature in Chinese (The International Journal of Study on Modern Chinese Literature in East Asia 2 (2006) 166–180. (Journal published by the Mingpao Publishing House, Hong Kong).

1..Lin Shaoyang, “‘Wen’ and ‘Reality’—From Tokyo New Sensational School, Shanghai New Sensational School to Contemporary Hong Kong Fictions: A Genealogy.” Journal of Modern Literature in Chinese 7.2 (Dec.2005) 63–80. (Journal published by Lingnan University, Hong Kong).

D. Research output in terms of Book Chapters

1. In Japanese

3.Lin Shaoyang, “Between East and West, Poetics and Philosophy: Nishiwaki Junzaburo’s Literary Theory as a Criticism to Metaphysics ” in The Possibilities of Modern Poetry: the Perspective of Modernism and Feminism, edited by Shimamura Teru, 49-64, Yokohama: Ferris University Documentary Center, March, 2011.(Book published on the basis of conference proceedings) (In Japanese)

2.Lin Shaoyang, “The Theory on Han (Chinese: fan反) or Irony.” In Nishiwaki Junzaburo Collections, edited by Shunichi Niikura, vol. 4 of Critical Essays, 433-443. Tokyo: Keio University Press, 2007.

1.Lin Shaoyang, “Wen and Modernity: Natsume Sōseki’s On Literature.” In The Darkness of Literature and the Silence of Modernity: Yearbook I of Literature, edited by Akihiko Nakayama, Teru Shimamura, Yuko Iida and Osamu Takahashi, 229–263. Yokohama: Seori Press, 2003.

2. In Chinese

7. Lin Shaoyang, “What is modernism in Chinese context?” in Wang Zhongchen and Lin Shaoyang eds., Putting Modernism in East Asian Context, Beijing: Tsing Hua University Press, forthcoming.（Chinese title：『現代主義的重審及其東亞視角』）

6. Lin Shaoyang, “The Critical Literary Modernism or Modernist Realism: on Liu Yichang’s Literary Criticism” in Liu Yichang and Hong Kong Modernism, edited by Leung Ping-kwan, Tam Kwok-kan, Wong King-fai and Wong Suk-han, 120-132, Hong Kong: Open University of Hong Kong Press, July, 2010.

5..Lin Shaoyang, “The Concept of Irony.” In The Keywords of Western Critical Theory edited (『西方文論関鍵詞』)by Zhao Yi-Fan, Zhang Zhong-zai and Li De-En, 90-102. Beijing: Foreign Language Teaching and Research Press, 2006.

4..Lin Shaoyang, “The Concept of Writing/écriture.” In The Keywords of Western Critical Theory (『西方文論関鍵詞』)edited by Zhao Yi-Fan, Zhang Zhong-zai and Li De-En, 528-539. Beijing: Foreign Language Teaching and Research Press, 2006.

3..Lin Shaoyang, “The Discourse of ‘No. X Generation’ on the History of Modern Chinese Poem and its Connection with the Narrative of Modern Chinese Literary History.” In On Modern Poetry in Chinese, edited by Chan Ping-Leung, Leung Ping-Kwan and Chan Chi-tak, 6-17. Hong Kong: Centre for Humanities Research, Lingnan University, 2005.

2.Lin Shaoyang,.“An Exemplified Analysis on the Colloquiality of Modern Chinese Poems.” In A Yearbook of Chinese Modern Poems in 2001, edited by Yang Ke, 451–468. Fuzhou: Haifeng Press, 2002.

1.Lin Shaoyang, “A Study of the Early Poetry Works of Nishiwaki Junzaburo.” In Studies of Japanese Literature, edited by Xu Jiugao, 293–338. Changchun: Jinlin University Press, 1994.

E. Research output in terms of Critical Essays
7. Lin Shaoyang, The Analects of Confucius in Contemporary Japanese Context, Dushu 『讀書』(August Issue, 2014) 142-149

6. Lin Shaoyang,Short Novel as Methodology: Liu Yichan’s View on Novel, Hong Kong Literature, Vol. 4 No.11 (Dec., 2009)17-22

5. Lin Shaoyang, “The 1980s and those Scraps of Time.” Dushu 『讀書』 (Feb Issue 2007) 137–140. (An intellectual magazine published by the Sanlian Press, Beijing, China). (Published using pen name A Yang).

4. Lin Shaoyang, “Narratives of the History of Modern Chinese Poem.” Dushu『讀書』 (May Issue 2006) 23–32. (An intellectual magazine published by the Sanlian Press, Beijing, China).

3. Lin Shaoyang, “An Intellectual History of Wen.” Dushu 『讀書』 (July Issue 2004) 124–131.

2. Lin Shaoyang, “Sounds and Voices in The Darkness: Hui Wa’s Poetry.” Exploration of Poetry 『詩探索』35 (Sept 1999) 147–158. ( Journal published by China Social Sciences Press Beijing, China) (Published using pen name A Yang)

1.Lin Shaoyang, “The Way to Silence.” Exploration of Poetry『詩探索』 27 (Sept 1997) 34–44. ( Journal published by China Social Sciences Press Beijing, China) (Published using pen name A Yang)

F. Book Review

1. In Japanese

1. Lin Shaoyang, “Listening to the Conversation Between the Western and Eastern
Philosophies: On Nakajima Takahiro’s The Reverberation of Chinese Philosophy.” Eastern Book Review (『東方書評』) 325 (March 2008) 28–31.(Journal of book review published by Toho shoten Press東方書店, Tokyo, Japan)
(invited review essay in Japanese, review journal for China studies in Japan)

2. Lin Shaoyang, “ The Late Qing Intellectual Thought in Perspective of
Utilitarianism”，Eastern Book Review, 399 (MAY 2014) 26-30.