Members

 
ROBERTS Mark
Name:

ROBERTS Mark

Fields:Film Studies, Critical Theory, Aesthetics
Category:
Faculty
 
Publications etc.
–Papers:

“The Ethics of Japanese Social Documentary in the Wake of 3/11” in The Journal of Japanese and Korean Cinema, 11:1, 68-84, 2019.

"Festival Focus: Tokyo FilmeX and the Problem of the Niche" in Directory of World Cinema: Japan 3, John Berra, ed. Bristol, UK: Intellect Books, 2015.

"Oshima Nagisa on Responsibility and Premonition: Shiiku (1961) and Amakusa Shirō Tokisada (1962)" in Perspectives on Oshima Nagisa (UTCP-Uehiro Booklet 7), 2015.

"Eros and the Space of the Body in Masumura Yasuzō’s Manji" in Place and Space in Japanese Cinema: From Inside to Outside the Frame (UTCP Booklet 23), 2012.

"Masumura Yasuzō and the Cinema of Social Consciousness", U. C. Berkeley, 2008.

Publications etc.
–Others:

"'Post-Nature' and Post-Disaster Cinema in Japan", Society for Cinema and Media Studies (SCMS), Seattle, 2019.

"AI in Cinema" 5EVEAI Workshop, IASA (Tōbunken), Tokyo, 2018.

"Animetic Discourses on Urban Futures" Asian Cities: Hubs of Interaction, Tradition and Transformation, IASA (Tōbunken), 2017.

"Cinema, Capsules, and Popular Consumption in Japan", Cultural Typhoon, Osaka, Japan, 2015.

"The Ethics of Japanese Social Documentary in the Wake of 3.11", Carleton University, Ottawa, Canada, 2015.

"Oshima Nagisa on Responsibility and Premonition: Shiiku (1961) and Amakusa Shirō Tokisada (1962)", Workshop: Perspectives on Oshima Nagisa, UTCP, July 2014.

"Social Documentary after 3.11", Society for Cinema and Media Studies (SCMS), Seattle, 2014.

"Cultural Incorporation and Critique of Organized Power : The Nikkatsu Stateless Action Film", Media Histories / Media Theories & East Asia, Berkeley, 2013.

"Modernism and Humor: Reflections on the Critical Cinema of the Shōwa 30s", UTCP, Tokyo, 2011.

"Japanese Cinema at the Crossroads: Masumura Yasuzō and the Showa 30s", Society for Cinema and Media Studies (SCMS), Los Angeles, 2010.


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